Artists

Argentina

Malena Tatián
The Sanctuary of Sleep

09.09.24 04.10.24

A fellow of the Semillero 2024 programme, thanks to a collaboration with Fundación Williams, Malena Tatián (Córdoba) came to ´ace to investigate the local art circuit and soak up the activities taking place in Buenos Aires in different cultural and art spaces, meeting and interviewing local artists. Her time at ´ace allowed Malena to transform a broader research project around temporality into a specific curatorship called The Sanctuary of Sleep, where she gathered clues towards works by the artists from Córdoba Vnvs Mvtnt (aka Mario de la Quintana), Ipsilux, Dioniso, Candela Basualdo, and Javier rojas, all of whom, through different languages (sound art, installation, performance practices and zines), work around the experience of ecstasy. Her month-long residency was spent between a questioning of craft and method, while giving a provisional form to a curatorial project that is still under construction.

STATEMENT BY THE RESIDENT

Currently, I find in curating a form of research and a way of bringing together and approaching different practices of knowledge that are singularised in the language of the artists I work with. This craft allows me to build affinities between practices and works that make other times perceptible within this time, making the idea of a single time, linear and forward, fail. Lately, I have found that in ecstasy there is an experience of emptying of the self where the notion of time is lost, the present is distorted and we practice other bodies: different dimensions and forms of transmission of messages appear.

BIO
Malena Tatián
1998 | Córdoba, Argentina
Lives and works in Córdoba, Argentina

EDUCATION
Bachelor in Modern Literature. Universidad Nacional de Córdoba, Argentina

Related Activities

Exhibitions, Open Studio, Fellowships

Echoes of Dwelling
Artists in dialogue

03.10.24

“Echoes of Dwelling,” the open study of October, suggests the interconnection between the spaces we inhabit, elements of nature, and the way time transforms in the works of the featured artists. During the gathering, we enjoyed a communal lunch and shared ideas and collective conversations with Paloma Ludueña, Evelyn Ramp, and Malena Tatián, who were residents during September thanks to the Semillero 2024 Scholarship, awarded in collaboration with the Williams Foundation.

-Paloma Ludueña (La Rioja) thinks her work around the conventional uses of a domestic space, understanding textiles not only as a material, but also as a logic of thought. In doing so, Paloma inhabits spaces and spreads her weavings wherever she wants to stay.

-Evelyn Ramp (Oberá, Misiones) explores through her artistic practice the crossings around the binomial nature-urbanity from material and sound cut-outs as poetic elements of the territory. During her residency, she worked on the riverside spaces of Misiones and Buenos Aires.

-Malena Tatián (Córdoba) insists through her curatorial research on the suspension of that certainty that names time as a continuous and forward line. In her residency, Malena sought to bring together related forms using the wall as a board for the superimposition of anecdotes, works, situations and notes where that linear temporality was transmogrified into something else, something different.

OPEN STUDIO
October 3rd, 2024
1PM to 5 PM

Exhibitions, Open Studio, Semillero (Seedbed), Fellowships

The Sanctuary of the Dream
Malena Tatián

03.10.24

Malena Tatián (Córdoba, fellow of the Semillero 2024 programme thanks to the collaboration with the Williams Foundation) presented in the open studio of October 3rd, 2024 her research project around temporality in a curatorship she called The sanctuary of the Dream. There, Malena gathered clues towards works by artists from Córdoba Vnvs Mvtnt (aka Mario de la Quintana), Ipsilux, Dioniso, Candela Basualdo and Javier rojas, who through different languages (sound art, installation, performative practices and zines), work around the experience of ecstasy.

Her month of work in residence passed between a questioning of the craft and the method, at the same time as it gave a provisional form to this curatorial project (the first of its kind for her), which is still under construction.

Related artists

Proyecto´ace
Artist-in-Residence International Program

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International Airport

Ministro Pistarini- Ezeiza (EZE)
Buenos Aires
45' to 60' trip

Domestic Airport

Aeroparque Jorge Newbery
Buenos Aires

Buses

38, 39, 41, 42, 59, 63, 65, 67, 68, 151, 152, 161, 184, 194 and 168 (stop in the front door)

Subway/Metro

D Line (Green)
Olleros Station (4 blocks, 4')

Train

Mitre Line (either to Leon Suarez or Mitre)
Colegiales Station (1 block, 1')

The Latin America's Paris

Buenos Aires is Argentine Republic's capital city. With 15,000,000 inhabitants, it is one of the largest cities in Latin America and one of the 10 most populous urban centers in the world. Its cosmopolitan and urban character vibrates to the rhythm of a great cultural offer that includes monuments, churches, museums, art galleries, opera, music and theaters; squares, parks and gardens with old groves; characteristic neighborhoods; large shopping centers and fairs. Here we also find a very good lodging facilities, with accommodation ranging from hostels to five-star hotels of the main international chains. Buenos Aires also show off about its variety of restaurants with all the cuisines of the world, as well as to have cafes and flower kiosks on every corner.

A neighborhood founded on the Jesuit farms in the 17th century

We are located in Colegiales neighborhood where the tree-lined streets, some of which still have their original cobblestones, invite you to walk. Although the apartment buildings advance, low houses still predominate. It is a district of the city where about 20 TV production companies, design studios, artist workshops and the Rock&Pop radio have been located. The neighborhood also has six squares, one of which pays homage to Mafalda, the Flea Market, shops, restaurants and cafes like its neighboring Barrios de Palermo and Belgrano, with which it limits.

Proyecto´ace
Artist-in-Residence International Program

Open Call #1
Residencies 2025
Deadline 
January 31st, 2025

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