“Echoes of Dwelling,” the open study of October, suggests the interconnection between the spaces we inhabit, elements of nature, and the way time transforms in the works of the featured artists. During the gathering, we enjoyed a communal lunch and shared ideas and collective conversations with Paloma Ludueña, Evelyn Ramp, and Malena Tatián, who were residents during September thanks to the Semillero 2024 Scholarship, awarded in collaboration with the Williams Foundation.

-Paloma Ludueña (La Rioja) thinks her work around the conventional uses of a domestic space, understanding textiles not only as a material, but also as a logic of thought. In doing so, Paloma inhabits spaces and spreads her weavings wherever she wants to stay.

-Evelyn Ramp (Oberá, Misiones) explores through her artistic practice the crossings around the binomial nature-urbanity from material and sound cut-outs as poetic elements of the territory. During her residency, she worked on the riverside spaces of Misiones and Buenos Aires.

-Malena Tatián (Córdoba) insists through her curatorial research on the suspension of that certainty that names time as a continuous and forward line. In her residency, Malena sought to bring together related forms using the wall as a board for the superimposition of anecdotes, works, situations and notes where that linear temporality was transmogrified into something else, something different.