Artists
Australia
Elizabeth Haigh
MUTUALISMS
07.02.24 28.02.24
Elizabeth Haigh is an Australian artist who lives and works in the Yarra Valley on Wurundjeri Country, Australia, and whose interest in the environment extends beyond her art making. Elizabeth was part of MUTUALISMS, the 8th edition of our online program Together Apart. After having completed an in-studio Production Residency in 2023, this was the second time that Elizabeth participated in our activities.
Elizabeth’s predominately native garden provides a welcoming refuge for various birds and along side her studio work she often bushwalks or is found tending to her biodynamic fruit and vegetable garden. With a sustainable mindset, she uses her skills in sewing, knitting and fabric dyeing to create eco-conscious garments for herself and items for her home, incorporating a “use-less” approach. Elizabeth’s lifelong passion for art is evident in her teaching and an interest in exploring new horizons through travel has enriched her artistic perspective. She embodies a life woven with nature, art, and conscious living.
ARTIST STATEMENT
I work across the mediums of painting, printmaking, textiles and photography in order to create narratives that highlight environmental signatures influenced by our contemporary existence. My practice embodies love and respect for the land, and I use those emotions to explore and express traces of time and memory in coherence with my passion for locally sourced and found materials. Navigating technical, aesthetic and conceptual concerns, I manifest my feelings about an increasing vulnerable environment through a variety of unorthodox, freestyle experimental processes, often combining painting, printmaking, photography and stitching.
BIO
Elizabeth Haigh
1957 | Australia
Lives and works in Yarra Valley, Australia
EDUCATION
1998 | Graduate Diploma of Education. University of Melbourne, Australia
1990 | Bachelor of Fine Art (Painting). Royal Melbourne Institute of Technology University RMIT, Melbourne, Australia
EXHIBITIONS
2022 | Door to Door project. Lite-Haus Galerie & Projektraum, Berlin, Germany
2022 | Garden of Loss & Triumph. NDSM Fuse, Amsterdam, The Netherlands
2022 | Works on Paper. Sydney Contemporary – Paper, Sydney, Australia
2021 | Soundscapes. YAVA Gallery & Arts Hub, Australia
2020 | Now Change. YAVA Gallery & Arts Hub, Australia
AWARDS & OTHERS
2021 | Teaching Colour Workshops – Baldessin Press & Studio
2020 | Teaching Drawing Workshops, Tarrawarra Museum of Art
1999 | Awarded the Postgraduate Scholarship, University of Melbourne – ‘Women with Career Interruptions’
Related Activities
Together Apart
# 8: Mutualisms | Results
Artists in Dialogue
07.02.24 28.02.24
In this new edition of Together Apart, we met again, this time under the title Mutualisms. During 4 weeks of intense exchange, 12 artists from different countries and cities collaborated and contributed to create this space of mutuality in which to freely explore their ideas.
In the words of Daniela Ruiz Moreno, program curator: “The 8th edition of Together Apart was, once more, a very gratifying surprise to us—
the coordinators and creators of the programme. It was very interesting to see how the individual interests of each artist were articulated with each other through collaboration across different disciplines, the generation of collective archives, and the invention of methodologies for coexistence. We were able to observe a gradual development, akin to an accumulation and metabolization of all the knowledge and information shared by the various team members and the invited artist, Rodrigo de Arteaga, as well as the invaluable knowledge shared by each participant. We explored alternative approaches to artistic practice, a different way of conceiving scientific knowledge, and acted in response to the urgent need for these two areas to collaborate more frequently. As one of the participants mentioned, the final session felt as watching -in a fast forward speed- a garden grow. Bringing back one of the philosophers who accompanied us during this program, I would like to quote again the words of Michael Marder regarding the writings of Hildegard von Bingen, a Benedictine abbess who in the 12th century was contemplating more holistic and spiritual approaches to ecology and the plant world. Hildegard proposes to look at the mystery of plantness, of greening greenness, of growth. I believe that the arts, in relation to many other forms of knowledge, serve as a vehicle to achieve an awareness of the interdependence inherent in all forms of life on this planet and a re-enchantment with the mystery that life forms entail. Each participant in this program allowed us to do just that, from observing the mystery of trees that make many fundamental cycles of our lives possible, to the landscapes that surround us and shape us, the different constructions and perceptions of time, to the intricate and not entirely straightforward relationship of our coexistence and co-creation with technology and nature.”